Publications

Frengel, M. (2017) The Unorthodox Guitar: A Guide to Alternative Performance Practice. New York, NY: Oxford University Press.
BUY / ABSTRACT

Frengel. M. (2015). Sound in Space: Sound Horizons Concert Review. SEAMUS Journal. (In Print).

Frengel, M. (2013). Interactivity and Liveness in Electroacoustic Concert Music. In The Oxford Handbook of Interactive Audio. New York, NY: Oxford University Press.
BUY / ABSTRACT

Frengel, M. (2012). Technology and Music. In Encyclopedia of American Music and
Culture
. Santa Barbara, CA: ABC-CLIO.

Frengel, M. (2010). A Multidimensional approach to relationships between live and
non-live sound sources in mixed works. Organised Sound, 15(2).
BUY / ABSTRACT

Frengel, M. (2009). Reconciling musical language in mixed works: a case study. ACM SIGGRAPH ’09: Music & Audio Conference Proceedings. New York: ACM.

Frengel, M. (1999). Nick Didkovsky. In New Grove Dictionary of American Musicians. New York, NY: Oxford University Press.

Frengel, M. (1999). Warren Burt. In New Grove Dictionary of American Musicians.
New York, NY: Oxford University Press.


Discography

 

Frengel, M. (2004). Slinky. On ICMC 2009 Compact Disc. Montreal: International Computer Music Association. (2009).

Frengel, M. (2000). And Then, Romina…. On XXII Concorso Internazionale Luigi Russolo Di Musica Elettroacustica 2000. Varèse, Italy: Russolo-Pratella Foundation. (2001).

Frengel, M. (1999). Long Slender Heels. On Sonic Circuits VII. St. Paul, MN: Innova Records.

Frengel, M. (1996). Three Short Stories. On CDCM Volume 26. Baton Rouge, LA: Centuar Records. (1998).

Frengel, M. (1996). No Pestering. On ICMC96 “On The Edge”. Hong Kong: October Music.

A Western Front (1998). Millennium (full length album). Los Gatos, CA: Quagmire Records.

A Western Front (1997). Silverdog (full length album). Los Gatos, CA: Quagmire Records.

A Western Front (1996). A.D. (full length album). Los Gatos, CA: Quagmire Records.

Supertronic (1995). WireFire (full length album). Los Gatos, CA: Quagmire Records.